Date: Thursday - Saturday September 2, 3, & 4, 2021
Times: 9:30 am - 4:30 pm
Cost: $450
THIS INSTRUCTOR REQUIRES PROOF OF VACCINATION
Workshop Description
This is a 3 day studio workshop, designed for intermediate to advanced students who have had some experience working with oil paint, who are looking to take their work to the next level. Focus will be on designing the large patterns in terms of value (dark to light) Developing these shapes into color and keeping the color true to the value they represent. By limiting number of values, form takes the lead over minutiae; thus, strengthening the impact of the work. Students will need to bring their own photos and references. Some photo references will be available for students to choose from if needed.
Easels and chairs will be provided. Supply list provided upon sign up.
About the artist:
Kathryn has developed a keen eye for the landscape and nature. She wandered the Utah countryside on her horse until her early twenties.
She studied with artists in the Salt Lake City area on a continuous basis for approximately 20 years and continues to study books on color and landscape painting including Plein Air California Painters, Taos painters, Carlson’s Guide to Landscape painting and the Russian masters, favoring Vasily Polenov.
She also continues to be influenced by other gifted artists including Edgar Payne, Clyde Aspevig, Scott Christensen, Hanson Puthuff, James Reynolds, Matt Smith and Ray Roberts.
Kathryn started out by painting familiar rural landscapes of her childhood, but curious about new subject matter, she began to make road trips to Southern Utah, becoming more and more enthralled with the powerful red rock formations.
Her work is very much her own not really echoing the styles of any of the painters with whom she has studied. Although her red rock paintings remain among her most coveted compositions, collectors seem to respond positively to any subject she paints.
She has traveled to and painted the coastal areas of California and Oregon as well as locations in Alaska, Russia, Spain, Italy, France and Portugal.
She states "I try not to get too comfortable working in a particular size or subject matter because I feel that comfort leads to staleness. For this reason, I'm always looking for fresh territory."
The Arizona Republic writes, "Kathryn Stats is a Utah artist whose best landscapes are a complete pleasure. The paint in them is given over to the subject and you know that Stats doesn’t feel the need for any gimmicks to get her point across. Direct, honest, and sensuous, these are the work of a genuine painter."
Check out her work on her website www.kathrynstats.com